Florin Maxa&39;s stages of creative work, tightly correlated in the 70s, can articulate with the same significance an intransigent discourse on method. Between 1969 - 1974, the subject-matter object (the dichotomies formal - informal, structure - matter) becomes a question of the concept (displaying modular structures by means of illusionism, constructivist kinetics) and, later, an even more complex question of anamorphosis (applied graphics on computer). The computer becomes the accurate, impersonal instrument of a new alchemy of the image, performed cold.
An excerpt from Livia Drăgoi&39; s interview with Florin Maxa, "Steaua" Magazine, no. 6, 1975,
Play Dice Would Be Nice, catalogue insertion