CRITICAL REVIEW


        Figurative original sculpture, not by the subject, but by the feeling intensity. Ladea fructified the sculpture lesson taught by the French artists Aristide Maillol and Antoine Bourdelle.  From Aristide’s vision he retained a kind of robust sensuality, visible in the feminine nudes series and from Bourdelle he took that expression and eloquence of expression, the monumental vision, making them of his own personality.

Corina Teacă
 


IMAGES



    BIOGRAPHY


    (Jitin, Caraş-Severin, 1901 - Arcuda, Ilfov, 1970)

    Academic studies:
    1920 - 1922 - School of Arts and Crafts, Traian Novac, Timişoara.

    Professional activity:
    1922 - working briefly in the painting colony in Baia Mare;
    1923 -  enrols at the Julian Academy, attending briefly and Brancusi's studio;
    1927 - 1933 - professor of sculpture at the School of Fine Arts, Cluj-Napoca;
    1933 - 1942 - Professor and Rector (1936), School of Fine Arts, Timisoara;
    1949 - 1950 - professor in the School Fine Arts, Cluj-Napoca;
    1961 - 1970 - Professor at the Institute of Fine Arts "Ion Andreescu" Cluj-Napoca;
    1965 - Plastic Artists Union Branch president, Cluj-Napoca.
     


    PROJECTS


    Solo exhibitions:
    1923, 1926 - Hall of the Culture Palace, Arad;
    1958, 1972 - Dalles Hal, Bucharest (retrospective exhibition, 47 sculptures );
    1959 - Cluj-Napoca;
    1966, 1971 - Retrospective exhibition, Art Museum, Cluj-Napoca.

    Group exhibitions:
    1930 – Exhibition of Transylvania artists, Cluj-Napoca;
    1939 - Transylvanian Art exhibition Timisoara;
    1952 - The plastic arts in Romania, Warsaw, Poland;
    1954 - Romanian Art Exhibition, Prague, Czech Republic;
    1957 - Contemporary art in R.P.R., Leningrad, Russia;
    1963 - Bucharest (with L. Florean, I. Mitrea, Lucia Piso, P. Sima) ;
    1966 - Romanian Painting and Sculpture Exhibition, Budapest, Hungary;
    1998 - Romanian sculpture in wood, Museum of Art, Cluj-Napoca;
    2012 - Sculptural Archetypes. Carpentry, National Art Museum of Romania, Bucharest.

    Monumental work:
    1923 - A.D. Xenopol and Avram Iancu, the Palace of Culture, arad;
    1929 - Bust of Damascus Bojinca (bronze) Oraviţa, Caras-Severin;
    1938 - Zaharia Barsan (bust, bronze), National Theatre, Cluj-Napoca;
    1973 - Transylvanian School Monument. P. Major, S. Micu-Klein, Gh Şincai (bronze), Cluj-Napoca.

    Museums:
      - National Art Museum of Romania, Bucharest;
     - Museum of Art, Cluj-Napoca;
     - Art Museum, Timisoara.

    Awards:
    1964 - Honoured Master of Arts.


    BIBLIOGRAPHY

    Crişan, Nicolae, Romul Ladea, Bucureşti, 1968, 1973.
    Grozdan, Dorian, Romul Ladea şi lumea lui cuprinzătoare, Editura Facla, Timişoara, 1979.
    Lăptoiu, Negoiță, Romul Ladea, Editura Meridiane, Bucureşti, 1985.

    Barbosa, Octavian, Dicţionarul artiştilor români contemporani, Editura Meridiane, Bucureşti, 1976.
    Vlasiu, Ioana (coord.), Dicționarul sculptorilor din România. Secolele XIX-XX, vol. II, lit. H-Z, Editura Academiei Române, București, 2011.

    Ţoca, Mircea, Sculptori clujeni, Editura Meridiane, 1978.
    Pintilie, Ileana, Timişoara între tradiţie şi modernitatePedagogia artistică în secolul XX, Editura Fundaţiei Interart TRIADE şi Editura Brumar, Timişoara, 2006.

    Surse web:
    www.pontus.ro