The complexity of Carmen Rasovszky’s art places the human figure on a central spot. The artist’s creation, manifested through technical diversities, underlines the conceptual perspective’s unity expressed both in scenography, fashion design, video-instalment, and also in photography or graphics. The participatory character of the artist’s works becomes the quality that magnetizes and makes loyal a public that remunerates the challenge through evolution. The volumes created by the artist, equally as works in themselves, and as scene partners or alter-egos in performing circumstances as well, become powerful visual instances. The playful nature remains hidden in the critical, philosophical or educative dimension of the artist’s creations.
Andreea Foanene (2014)