His works retain something from the simple mystery of metallurgies, the moment in which geometrical figures start to emerge from the rough mass of the metal, holding on to the order envisioned by the artist. Sometimes, in his imagistic apparatus are 
introduced "artefacts", "found objects" that suggest to him ingenious formal and chromatic developments. An unusual imaginative force is able to create expressive and symbolic associations. Even the natural elements, such as tree trunks, can represent the medium in which the action of the artist, as a continuously alert being towards material concreteness, can be the substance of some spiritual configurations - for example, the cross, which, once revealed, modifies the entire composition of the object.

Constantin Prut (2014)
Dicționar de artă modernă și contemporană, ediție în curs de apariție la Editura Polirom, Iași, 2015