He chooses an art in which realist observation applies to a material given by history or by the contemporary realities. A good portraitist, he is also attracted by the heroic-monumental composition where the figures have symbolic functions. In his style, with the reality being constantly represented, he made a series of works destined for public spaces.
(Lipnic, 1922 - 1988)
1946 – Academy of Fine Arts, Iaşi.
since 1946 – he takes part in official salons.
1955 – Steel workers, Reşiţa, Caraș-Severin;
1956 - Ciprian Porumbescu, Stupca, Suceava;
1962 – Sports group, Mamaia, Constanța;
1966 – The tennis player, Parcul Dinamo, Bucharest;
1969 - Avram Iancu, Brad, Hunedoara;
- Science, Bacău;
- Monument 1907, Obor Square, Bucharest.
1969 – Prize for monumental art by the Plastic Artists Union;
- Prize of the State Committee for Culture and Art.
Barbosa, Octavian, Dictionary of Romanian contemporary artists, Meridiane PH, Bucharest, 1976.
META Cultural Foundation, A century of Romanian sculpture. Dictionary A-D. SYNTHESES collection, META PH, 2001, p. 138.
Prut, Constantin, Dictionary of modern art, Albatros PH, Bucharest
Barbosa, Octavian, Dicționarul artiștilor români contemporani, Editura Meridiane, București, 1976.
Fundația Culturală META, Un secol de sculptură românească. Dicționar A-D. Colecția SINTEZE, Editura META, 2001, p. 138.
Prut, Constantin, Dicționar de artă modernă, Editura Albatros, București, 1982.